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New Release | Gnash Analog Distortion

  • Writer: 𝑲𝑳𝑶𝑾𝑹𝑨
    𝑲𝑳𝑶𝑾𝑹𝑨
  • 2 days ago
  • 1 min read
Klowra Gnash Analog Distortion
Klowra Gnash Analog Distortion

Before this fractured and cold season draws to a close, we have chosen Klowra Gnash Analog Distortion as the final release of this period. At the tail end of this lingering winter, we seek to ignite a flame against the chilling reality through the roar of distortion.


The Persistence of Pure Analog Gnash embodies the innovative circuitry meticulously developed by the Klowra team, adhering to precision manufacturing with fully analog, through-hole components. In an environment defined by uncertainty, we choose to return to the most primal and direct physical oscillations, constructing a sonic tool that balances classic heritage with modern exploration.


Klowra Gnash Analog Distortion
Klowra Gnash Analog Distortion

Tension and the Boundaries of Tone From tight, modern walls of rhythmic sound to thick, vintage-style fuzz textures, Gnash captures moments of sonic tension:


  • Series/Parallel Dual-Channel: Delivers high-resolution dynamic punch or uncontrolled, screaming high-gain distortion, allowing the sound to weave between order and chaos.


  • Wavefolder Module: Navigates the boundary between distortion and fuzz, fully exploring the possibilities of dynamic inversion and harmonic imbalance, recording those irregular oscillations.


  • Mid-Cut Module: Allows the sound to shift effortlessly from thick, blocky textures to aggressive, cutting timbres.


Klowra Gnash Analog Distortion
Klowra Gnash Analog Distortion

Instant Control and Expression Combined with WildSeed’s real-time analog/digital control technology, Gnash maintains a pure analog signal path while supporting True Bypass and external dual-footswitch control. This ensures that in fleeting moments of expression, you can instantly capture a voice that is truly yours.


Gnash is not for celebration; it is for finding the authentic self within the frantic roar. Now available. For details check here.

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